I was born in 1986 in Toulon, France, and live in Paris.

​After technical Audiovisual Image studies (with a specialization in Image) at Boulogne-Billancourt in 2007, I obtained a Master’s degree in Cinema Research at Paris Sorbonne. My thesis focused on the luminous worlds of David Lynch’s cinema.

I then began working in film and audiovisual as an assistant camera operator on short and feature films. In 2013, I directed Le Dernier fil à la patte, a short film that allowed me to experiment with natural light. I explored non-verbal, icy, and absurd visual atmospheres in the mini-series Nektàr.

Fascinated by cinematic atmospheres, I learned to compose and light shots over the course of each project.

I officially began my career as a cinematographer in 2015, with my first commercial for Call of Duty (Activision).

I’m part of the NOU collective, a group of directors, visual artist. Curious and a film buff, I’ve programmed various screenings at L’Affriche (Montreuil) and Cinéma Écran Voisin (Paris). In 2021, I trained as a colorist to better master the post-production process.

Today, I continue to photograph independent fiction and documentary projects (Touché by Béatrice Plumet, about a healer’s contact with his patients; Baïkal Symposium by Chloé Laumonier, filmed in Siberia during an artistic and scientific residency; and finally, the film work Hunter Nights by Pierre Pascual). At the same time, I create images for videos for the web or for advertising commissions.