FESTIVAL PREMIERE

DOC SHORT| USA | 18 MINUTES | English

WE RIDE FOR HER

Directors Prairie Rose Seminole, Katrina Lillian Sorrentino

An Indigenous women’s motorcycle group rides to end the crisis of Missing and Murdered Indigenous Women while a member of their community searches for her missing sister and tries to heal her shattered family.

CAST & CREDITS

Director

Prairie Rose Seminole, Katrina Lillian Sorrentino

Producer

Becca Kahn Bloch, Katrina Lillian Sorrentino

Screenwriter

Melanie Shaw

Directors Bio

Prairie Rose Seminole (Arikara, Northern Cheyenne, citizen of the Three Affiliated Tribes, the MHA Nation of North Dakota) is an educator, culture bearer and storyteller, making her inaugural debut as a documentary co-director on this project. Past chair and curator of the former Native American Voices category of the Fargo Film festival and writer, director of the former Dakota Young Playwrights with the Trollwood Performing Arts School in Moorhead, Minnesota.

Katrina Lillian Sorrentino is a documentary filmmaker and visual artist. Her documentary, Crossing Over, was picked up by Participant and Univision and won a GLAAD award for Outstanding Documentary. She was a Director in Oculus & Facebook’s ‘VR for Good’ program and won the 2020 Nashville Film Festival in VR. Tidal, (Harnisch Foundation) a documentary short about her own journey healing from psychological abuse, is currently premiering at festivals in the U.S. She is currently writing a tragicomedy TV series with her best friend called, “Naughty By Nature,” about breaking up with white male god.

Directors Statement

‘We Ride For Her’ sheds light on the United States’ history of genocide and systemic oppression of Indigenous people and the continued dark reality of violence against and consistent devaluing of Indigenous women. Indigenous women and girls in the United States are more likely to experience violence than non-Indigenous women and girls. 83% of American Indian Alaska Natives experience violence in their lifetime, while 80% of sexual violence is perpetrated by non-Indigenous people. The vast majority of women and children who have endured this, never see their abusers brought to justice.

The reality of missing and murdered Indigenous women, girls and relatives (MMIW/G/R) is a horrific one with its origins in the violence brought upon Indigenous communities by colonizers. A history of violence and devaluation of Native bodies, combined with a justice system that was never established to protect Indigenous people, created the epidemic we see today. There are over 5,500 missing or murdered Indigenous women and girls, and that number is conservative. The majority of cases are prematurely closed by law enforcement, which results in Native families putting little faith and trust in a justice system that has failed them. That is why the women in our film take matters into their own hands.

As an enrolled tribal member of the Three Affiliated Tribes of North Dakota and a descendent of the Sahnish/Arikara, Northern Cheyenne and Lakota Nations, I have lived experience with the MMIW/R epidemic. My community has witnessed the disappearance and death of many. My family has endured tragedy with homicide: my aunt whose death was never investigated, our nephew who was murdered in Montana, and my brother’s death in North Dakota.

We will not find comfort in a justice system that is tied to stolen land, broken treaties, forced removal of Indigenous people and countless government policies centered around assimilation and cultural genocide. These systems need to change. In order to do that we must educate the dominant culture around us. We matter. Through this film, I do not seek to exploit the violence and trauma in our communities but rather seek to raise consciousness and demand action for Indigenous women, girls, and two-spirt relatives who have been taken, tortured, raped, trafficked, assaulted, and murdered.

This film provides a platform for Indigenous voices to be heard and for our stories to be shared with a wider audience in order to raise awareness, empathy and understanding. I hope our film provides evidence to support policy changes and reform that address the root causes of the crisis and barriers we face in order to seek justice. Our film is a witness of this moment, serving as a historical record of MMIW, preserving the stories and experiences of those affected for future generations to learn from and build upon. – Prairie Rose Seminole

Program Four

Once Purchased
your name will be at ‘Will Call’

Showtimes

Thursday, November 14
IN-PERSON

Screening: 3:00pm

Post Screening Guest (s) Prairie Rose Seminole (Director), Katrina Lillian Sorrentino (Director).

AMC The Grove 14

189 The Grove Dr
Los Angeles, CA 90036

Parking

At The Theatre

RNCI RNIFF Gold Logo

31 YEARS OF IMPACT

Elevating Native and Indigenous Voices Through Storytelling

Celebrating Culture & Community

Red Nation International Film Festival (RNIFF) is the largest Native & Indigenous Film Festival in the U.S. and worldwide!

The first of its kind in Los Angeles.